Angola Soundtrack 2 - Hypnosis, Distorsions & Other Sonic Innovations 1969-1978 (2021 LP Repress)
by Various
all the stores are closed
all the stores are closed
Groovin! Groovin! Groovin!
Emmanuel LACLOCHE
Emmanuel LACLOCHE
Great!
What to say? Nothing but just to listen
Angola/Capeverde/LusaAfrica music from 1960 to early 1980
Golden age music!!!
What to say? Nothing but just to listen
Angola/Capeverde/LusaAfrica music from 1960 to early 1980
Golden age music!!!
Christoffer Sörensen
DAB
Capn' Badass
Reza A.Milani
Michaels
DavidCKCU
stefan yürke
3o7
Matteo DLF
Bertrand Monier
KateDC
DJ Designer
susu love's
1fishman
marchivemind
strayhorn
donkeyvenom
SENS8BLE
thiccacademicc
Andy Nicolson
JEAN-BERNARD BASSACH
YaNnIcK
christophermayer
Jason Finn
Mikey Roberts
Nick Watkins
Gergely Nagy
manouchski
daniel van kleef
Henri & Gioanna
ellipis
lakou
nic_o_tronic
El Guámbito
liquindoy
Efoo
Nifty O.G.
yellow5
Bart Schraven
ShareLot DJ
Jake Calvert
joe_mayooo
calliSo
Vincent Lacoume
stephenratter
Roland
the-other-guy
robertmars03
fungimushmush
Lutz Schramm
akalleig
LP DoubleG
Mistamuck
Igua
D.H.
Matthieu Hallé
Th' Captain
Garnet Griffiths
Maniek Grucha
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Record/Vinyl + Digital Album2021 Repress
Includes unlimited streaming of Angola Soundtrack 2 - Hypnosis, Distorsions & Other Sonic Innovations 1969-1978 (2021 LP Repress) via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.ships out within 7 daysPurchasable with gift card€25 EUR or more
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Compact Disc (CD) + Digital AlbumIncludes unlimited streaming of Angola Soundtrack 2 - Hypnosis, Distorsions & Other Sonic Innovations 1969-1978 (2021 LP Repress) via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.ships out within 7 daysPurchasable with gift card
€16 EUR or more
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Streaming + DownloadIncludes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.Purchasable with gift card
€10 EUR or more
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Full Digital Discography
Get all 44 Analog Africa releases available on Bandcamp and save 50%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Cameroon Garage Funk, Trujillo - Perú 1971-1974, Edo Funk Explosion Vol.1, Take One, La Locura de Machuca 1975-1980, Fundo De Marê Palinha (Limited Dance Edition), Ranil y su Conjunto Tropical (Limited Dance Edition), Mogadisco - Dancing Mogadishu (Somalia 1972-1991), and 36 more.
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Avante Juventude
03:34
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2. |
Senhor Doutor
03:37
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3. |
N'Hoca
02:57
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Kia Lomingo
03:34
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5. |
Bina
04:16
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6. |
Mabelé
02:28
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7. |
Agarrem
03:05
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8. |
Saudades de Luanda
02:44
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9. |
Bongololo
03:24
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10. |
N'Ga Kunu M'Butu
02:35
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11. |
Lemba
03:28
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12. |
Snipes
04:08
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13. |
Bazooka
03:28
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14. |
Divua Diami
03:21
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15. |
Meca
05:06
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16. |
Chamavo
03:33
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17. |
Olha O Pica
03:26
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18. |
Fatimita
04:02
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19. |
Inspiraçáo De Nito
03:30
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20. |
Despedida
06:19
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21. |
about
Analog Africa No.15 - ANGOLA SOUNDTRACK 2
Hypnosis, Distortions & other Sonic Innovations 1969
In 2010, against all odds, Angola Soundtrack Vol.1 was awarded the German Record Critics' Prize in the category 'Black music'. This victory was all the sweeter for its triumph over the predicted winner, Aloe Blacc ́s multi platinium record, 'Good Things'.
Many were surprised that the award was handed to a compilation that covered obscure music, but it didn't surprise the team behind Analog Africa who believed such acclaim should have come much earlier. Since discovering the music of Angola 15 years ago, styles such Kazucuta, Rebita and Semba have become an addiction for Samy Ben Redjeb, the compiler, who proclaimed a serious warning in the first edition liner notes: 'Listening to these tracks may cause addiction and provoke heavy rotation!'
The unique blend of incomparable musicianship, passionate delivery and regional rhythms that make these tracks so combustible are no accident. An exceptional set of circumstances existed in the history of Angola before Independence that created the giant leap in the style and standard of bands and recordings of the time.
When Portuguese repressive measures prevented the small Turmas, street musician groups, from being able to perform in Carnaval celebrations in 1961, a Portuguese civil servant, entrepreneur and Angolan music fan named Luis Montês was already in a position to capitalise on Luanda's need for a live music scene. His self- designed 'Kutonocas', Sunday afternoon live music festivals, delighted a Luandan population hungry for a communication between the city and musseques (townships). It also forced groups to adapt to a different style of playing that would accommodate large stages and broader audiences. They equipped themselves with electric guitars, and fed on the musical influences from Cape Verde, Congo and the Dominican Republic, while staying patriotically true to their own musical legacy and unique rhythms.
The intimacy of those participating in this musical revolution meant they playfully and professionally wanted to trump each other's style; communication between the groups was frequent as everyone studied each other's records and concerts and players were under a lot of pressure to outdo each other due to the limited recording and performing opportunities. Development of skill and ingenuity was a must, as well as addressing the highly politicised climate. The optimism of Independence can be heard in these recordings; a common goal between the audience and musicians.
Upon reading the characteristically generous liner notes of this new Analog Africa release, you will be given more hints of the crucial melting pot that allowed this short period to have such an outstanding productivity. Featuring 44 pages acquired in coordination with the National Library of Luanda and the art magazine 'Note E Dia', Analog Africa head honcho Samy Ben Redjeb has managed to collect newspaper clips, extremely rare pictures of the bands on stage and printed interviews from the 70s.
The stunning pages of passionate photography and artistic design also include interviews with many of the original artists and their families, biographies of the three labels that made it all possible, and of Luis Montês, who was the pulse of the live music scene in Luanda. This compilation is a dedication to the short lived recording industry in Angola, a brief moment of history between 1969 and 1978 in which three recording companies produced approximately 800 records, mostly singles. They are rare jewels, each song with a significant story and feel behind it. You will hear exciting music blazed with the anticipation of emancipation, tracks fuelled with a sense of unity, community, importance and immediacy.
This addictive, outlawed music from Angola shakes and grooves with the smoothness of staccato machine gun fire. Do yourself a favor and submerge yourself into some of the most addictive music created by mankind!
Hypnosis, Distortions & other Sonic Innovations 1969
In 2010, against all odds, Angola Soundtrack Vol.1 was awarded the German Record Critics' Prize in the category 'Black music'. This victory was all the sweeter for its triumph over the predicted winner, Aloe Blacc ́s multi platinium record, 'Good Things'.
Many were surprised that the award was handed to a compilation that covered obscure music, but it didn't surprise the team behind Analog Africa who believed such acclaim should have come much earlier. Since discovering the music of Angola 15 years ago, styles such Kazucuta, Rebita and Semba have become an addiction for Samy Ben Redjeb, the compiler, who proclaimed a serious warning in the first edition liner notes: 'Listening to these tracks may cause addiction and provoke heavy rotation!'
The unique blend of incomparable musicianship, passionate delivery and regional rhythms that make these tracks so combustible are no accident. An exceptional set of circumstances existed in the history of Angola before Independence that created the giant leap in the style and standard of bands and recordings of the time.
When Portuguese repressive measures prevented the small Turmas, street musician groups, from being able to perform in Carnaval celebrations in 1961, a Portuguese civil servant, entrepreneur and Angolan music fan named Luis Montês was already in a position to capitalise on Luanda's need for a live music scene. His self- designed 'Kutonocas', Sunday afternoon live music festivals, delighted a Luandan population hungry for a communication between the city and musseques (townships). It also forced groups to adapt to a different style of playing that would accommodate large stages and broader audiences. They equipped themselves with electric guitars, and fed on the musical influences from Cape Verde, Congo and the Dominican Republic, while staying patriotically true to their own musical legacy and unique rhythms.
The intimacy of those participating in this musical revolution meant they playfully and professionally wanted to trump each other's style; communication between the groups was frequent as everyone studied each other's records and concerts and players were under a lot of pressure to outdo each other due to the limited recording and performing opportunities. Development of skill and ingenuity was a must, as well as addressing the highly politicised climate. The optimism of Independence can be heard in these recordings; a common goal between the audience and musicians.
Upon reading the characteristically generous liner notes of this new Analog Africa release, you will be given more hints of the crucial melting pot that allowed this short period to have such an outstanding productivity. Featuring 44 pages acquired in coordination with the National Library of Luanda and the art magazine 'Note E Dia', Analog Africa head honcho Samy Ben Redjeb has managed to collect newspaper clips, extremely rare pictures of the bands on stage and printed interviews from the 70s.
The stunning pages of passionate photography and artistic design also include interviews with many of the original artists and their families, biographies of the three labels that made it all possible, and of Luis Montês, who was the pulse of the live music scene in Luanda. This compilation is a dedication to the short lived recording industry in Angola, a brief moment of history between 1969 and 1978 in which three recording companies produced approximately 800 records, mostly singles. They are rare jewels, each song with a significant story and feel behind it. You will hear exciting music blazed with the anticipation of emancipation, tracks fuelled with a sense of unity, community, importance and immediacy.
This addictive, outlawed music from Angola shakes and grooves with the smoothness of staccato machine gun fire. Do yourself a favor and submerge yourself into some of the most addictive music created by mankind!
credits
released December 2, 2013
Compiled by Samy Ben Redjeb - All tracks fully licensed
Executive Producer : Samy Ben Redjeb for Analog Africa
Cat. number : Analog Africa AA075
analogafrica.com
analogafrica.blogspot.fr
facebook.com/AnalogAfrica
soundcloud.com/analog-africa
youtube.com/AnalogAfrica
Compiled by Samy Ben Redjeb - All tracks fully licensed
Executive Producer : Samy Ben Redjeb for Analog Africa
Cat. number : Analog Africa AA075
analogafrica.com
analogafrica.blogspot.fr
facebook.com/AnalogAfrica
soundcloud.com/analog-africa
youtube.com/AnalogAfrica
license
all rights reserved
tags
about
Analog Africa Germany
The Future of Music Happened Decades Ago
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