La Locura de Machuca 1975-1980
by Various
Sol Marianela
Sol Marianela
This is and excellent and delicious compilation. If you dance to it, life changing things may happen to you!
Favorite track: Wabali.
Vinushika
Vinushika
Utterly infectious, yet also unclassifiable. A historical treasure of Colombia's picó culture, and also excellent music on its own right. Rafael Machuca was dedicated to making his own kind of music, and the unique sound of his production still stands out today.
Favorite track: Long Life Africa.
oradur
oradur
this is quite crazy stuff and i love everything extreme by any means necassary
Favorite track: Te Clavo La... Mano.
Cole Perry
Sigly
zihuang
djgrahamsicle
James Hadfield
Hugh
Charlottenburg
takushad
Jeffrey Howard
nosabesmusic
rizomaradio
krisgruda
Gabriel Rea
KingRandall
Vivek Boray
JohnK@RKBS
Squaloid
csj18
muchachoberraco
stewartgardiner
Dj Afreak
Cameron Ballinger
ad_
narayanraja
•••F•r•a•n•ç•o•i•S•••
jasondibley
Bär-Bärli
enrico_mas
Mikey Roberts
Phil Barden
DJ caralarm
Marc Mayer
cybey
bfraipont
Endless Drone
brtt
Hydatius
cyrenadunbar
procky
coltrane61
Emanuel
Nick Curnow
Popcorndoublefeature
liquindoy
willandy
solangoose
naho_kumbia
davidbroghammer
parroyo13
jan
ben soup
VomitPiñata
gordieb
Jed Lackritz
daniel jackson
Chas
Jeff Barber
lizm0801
the-other-guy
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Record/Vinyl + Digital AlbumIncludes unlimited streaming of La Locura de Machuca 1975-1980 via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.ships out within 7 daysPurchasable with gift card
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Compact Disc (CD) + Digital AlbumIncludes unlimited streaming of La Locura de Machuca 1975-1980 via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.ships out within 7 daysPurchasable with gift card
€16 EUR or more
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Streaming + DownloadIncludes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.Purchasable with gift card
€10 EUR or more
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T-Shirt/Apparel2-Color Screenprinted T-shirts
Made from Bamboo Viscose and Organic Cotton
The print doesn't feel "plasticky"
Fear Wear
For the ladies we recommend to order one size above your usual size since the shorts are smaller then average. So if you are S order M and so on.
Size-Info: T-Shirts Men measures can variate till 5%
S - Width (armpit-armpit): 48,5 cm Length: 68 cm
M - Width (armpit-armpit): 51 cm Length: 70 cm
L - Width (armpit-armpit): 54 cm Length: 72 cm
XL- Width (armpit-armpit): 60 cm. Length: 74 cm
Size-Info: T-Shirts Women measures can variate till 5%
S - Width (armpit-armpit): 47,5 cm Length: 66 cm
M - Width (armpit-armpit): 50 cm Length: 68 cm
L - Width (armpit-armpit): 52.5 cm Length: 70 cm ... moreships out within 7 daysPurchasable with gift card€25 EUR or more
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Full Digital Discography
Get all 44 Analog Africa releases available on Bandcamp and save 50%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Cameroon Garage Funk, Trujillo - Perú 1971-1974, Edo Funk Explosion Vol.1, Take One, La Locura de Machuca 1975-1980, Fundo De Marê Palinha (Limited Dance Edition), Ranil y su Conjunto Tropical (Limited Dance Edition), Mogadisco - Dancing Mogadishu (Somalia 1972-1991), and 36 more.
Purchasable with gift card€196.50 EUR or more (50% OFF)
1. |
Eberebijara
03:30
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2. |
Monkey 's Dance
03:31
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3. |
Tamba
03:18
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4. |
El Campanero
02:58
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5. |
Ayu
03:08
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6. |
La Mazamorra Del Diablo
03:12
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7. |
Mosquita Muerta
03:08
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8. |
Juipiti
02:27
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9. |
Le Mongui
03:25
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10. |
El Tornillito
02:30
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11. |
Long Life Africa
04:39
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12. |
Te Clavo La... Mano
03:01
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13. |
El Platano
03:30
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14. |
Tucutru
03:06
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15. |
Caracol
03:30
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16. |
Otro Perro Con Ese Hueso
03:26
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17. |
Wabali
03:17
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about
La Locura de Machuca is the story of one man’s bizarre odyssey into Colombia’s coastal music underground, and the wild, hypnotic sounds he helped bring up to the surface.
One night in 1975, a successful tax lawyer named Rafael Machuca had his mind blown in Barranquilla’s ‘Plaza de los Musicos’. Overnight he went from a high ranking position in the Colombian revenue authority to visionary production guru of the newly formed record label that bore his name, Discos Machuca, and for the next six years he devoted his life to releasing some of the strangest, most experimental Afro Psychedelia Cumbia and Champeta ever produced.
The Colombian music industry was thriving in the mid-seventies, but while homegrown bolero and vallenato tunes were doing well on the charts, it was imported African records that were setting crowds on fire at the picos – the sound-systems that fuelled neighbourhood parties – and wherever those records were played there were always a handful of groups who were inspired to plug traditional Cumbia directly into the electric currents coming from across the Atlantic.
It was these obscure bands, who fused Colombian and African rhythms with the swirling organs and psychedelic guitars of underground rock, that fired Machuca’s imagination. While the label made its money releasing popular hits by legends such as Alejandro Durán and Aníbal Velásquez, that money was poured back into a unique run of experimental releases by fringe artists such as La Banda Africana, King Somalie, Conjunto Barbacoa, and Abelar- do Carbono, one of the godfathers of Champeta Criolla.
When Machuca couldn’t find groups to realise his particular vision, he simply created them himself. Drawing on a fearsome roster of musicians associated with the label, he assembled bands that lasted only as long as it took to record an album, and unleashed the results – complete with arrestingly unusual album covers – under a series of different names such as Samba Negra or El Grupo Folclórico. This unorthodox approach led his longtime recording engineer, Eduardo Dávila, to describe Machuca’s productions as the “B-Movies of Colombian music.”
The story of Doctor Machuca and his eccentric exploits tells of one of Colombia’s most atypical and peculiar record companies; a defining pillar of Afro-Caribbean psychedelia. His productions have come to represent the roots of Champeta and set the pedigree standards for Afro and Costeño avant-garde. The seventeen tracks on La Locura de Machuca, harvested from the darkest, strangest corners of the Discos Machuca catalogue, sound like little else recorded before or since.
One night in 1975, a successful tax lawyer named Rafael Machuca had his mind blown in Barranquilla’s ‘Plaza de los Musicos’. Overnight he went from a high ranking position in the Colombian revenue authority to visionary production guru of the newly formed record label that bore his name, Discos Machuca, and for the next six years he devoted his life to releasing some of the strangest, most experimental Afro Psychedelia Cumbia and Champeta ever produced.
The Colombian music industry was thriving in the mid-seventies, but while homegrown bolero and vallenato tunes were doing well on the charts, it was imported African records that were setting crowds on fire at the picos – the sound-systems that fuelled neighbourhood parties – and wherever those records were played there were always a handful of groups who were inspired to plug traditional Cumbia directly into the electric currents coming from across the Atlantic.
It was these obscure bands, who fused Colombian and African rhythms with the swirling organs and psychedelic guitars of underground rock, that fired Machuca’s imagination. While the label made its money releasing popular hits by legends such as Alejandro Durán and Aníbal Velásquez, that money was poured back into a unique run of experimental releases by fringe artists such as La Banda Africana, King Somalie, Conjunto Barbacoa, and Abelar- do Carbono, one of the godfathers of Champeta Criolla.
When Machuca couldn’t find groups to realise his particular vision, he simply created them himself. Drawing on a fearsome roster of musicians associated with the label, he assembled bands that lasted only as long as it took to record an album, and unleashed the results – complete with arrestingly unusual album covers – under a series of different names such as Samba Negra or El Grupo Folclórico. This unorthodox approach led his longtime recording engineer, Eduardo Dávila, to describe Machuca’s productions as the “B-Movies of Colombian music.”
The story of Doctor Machuca and his eccentric exploits tells of one of Colombia’s most atypical and peculiar record companies; a defining pillar of Afro-Caribbean psychedelia. His productions have come to represent the roots of Champeta and set the pedigree standards for Afro and Costeño avant-garde. The seventeen tracks on La Locura de Machuca, harvested from the darkest, strangest corners of the Discos Machuca catalogue, sound like little else recorded before or since.
credits
released October 16, 2020
Graphic Design : Kathrin Remest (Analog Africa)
Mastering : Michael Graves (Osiris Studios)
Lacquers : Frank Merritt (The Carvery)
Interview, Translation and Biography : Samy Ben Redjeb (Analog Africa), Lucas Silva (Palenque Records) & Diego Hernandez (Eck Echo)
Text Editing : Jesse Simon & Diego Hernandez
Special Thanks To : Humberto Castillo Rivera, Zenaida Salazar Rivera, Eduardo Davila, Carlos "4 Frias" Estrata, Mateo Rivano, Keith Slater, Paola Machuca Salazar, Randy Mulato Bantu, Shane Butron and Marilyn Martinez Serrano
Graphic Design : Kathrin Remest (Analog Africa)
Mastering : Michael Graves (Osiris Studios)
Lacquers : Frank Merritt (The Carvery)
Interview, Translation and Biography : Samy Ben Redjeb (Analog Africa), Lucas Silva (Palenque Records) & Diego Hernandez (Eck Echo)
Text Editing : Jesse Simon & Diego Hernandez
Special Thanks To : Humberto Castillo Rivera, Zenaida Salazar Rivera, Eduardo Davila, Carlos "4 Frias" Estrata, Mateo Rivano, Keith Slater, Paola Machuca Salazar, Randy Mulato Bantu, Shane Butron and Marilyn Martinez Serrano
license
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Analog Africa Germany
The Future of Music Happened Decades Ago
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Sep 2021 -
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Dec 2020
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