The imaginary Soundtrack to a Brazilian Western Movie 1964 - 1974
by Camarão
Joe de Larios
Joe de Larios
Proving that the accordion is one of the greatest party instruments ever. A variety of arrangements, ranging from small groups to large bands.
Favorite track: Sereia Do Mar.
Jason Wright
Jason Wright
It's so groovy
Favorite track: Não Interessa Não.
Clark Travagini
Clark Travagini
analog africa literally can do no wrong
tyhussell
parroyo13
the-other-guy
sorprendentecha
SōZįnhõ ZünoXê
Jeff Barber
ketelhuth
Patrick Principe
rinterzone
jason5porter
dak-
MCGDurham
Bart Schraven
sarahmelendez
unsilentbob
Jeen Geertsma
h20
Kathryn Spence
soundofperpetualastonishment
soopoib
ambrosiangalaxy
Robert Fischer
Matthew Osmond
saltbagel
Laurie Tompkins
Soren
Ucbryshr
lovelazer
asoftlyspokentiger
communiss
Helên Thomas
Oblomovka
half-pipe
varthek
scalpaa
Andreas Homann
Tim Berresheim
Tomasön
1fishman
Bob Cairns
kate-ryn
bruli
esperanto
Chris Ketcham
Neil Carpenter
53porni
Eleanor Ray
christophermayer
Alejandro Vinas
c-record
7moonsand
nickhewitt
Armando Kilombo
chiaboy
Bungle
Michael Wisotzki
Angahuan
Groupees
j-schmidt
brombe
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Streaming + DownloadIncludes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.Purchasable with gift card
€10 EUR or more
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Record/Vinyl + Digital AlbumIncludes unlimited streaming of The imaginary Soundtrack to a Brazilian Western Movie 1964 - 1974 via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.ships out within 7 daysPurchasable with gift card
€22 EUR or more
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Compact Disc (CD) + Digital AlbumIncludes unlimited streaming of The imaginary Soundtrack to a Brazilian Western Movie 1964 - 1974 via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.ships out within 7 daysedition of 1000 8 remainingPurchasable with gift card
€15 EUR or more
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Full Digital Discography
Get all 42 Analog Africa releases available on Bandcamp and save 50%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Edo Funk Explosion Vol.1, Take One, La Locura de Machuca 1975-1980, Fundo De Marê Palinha (Limited Dance Edition), Ranil y su Conjunto Tropical (Limited Dance Edition), Mogadisco - Dancing Mogadishu (Somalia 1972-1991), Jambú e Os Míticos Sons Da Amazônia, De Bassari Togo (Limited Dance Edition), and 34 more.
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1. |
Retrato De Um Forro
02:13
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2. |
A Casa De Anita
01:42
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3. |
Rio Antigo
02:23
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4. |
Sereia Do Mar
02:53
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5. |
Xeêm
01:42
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6. |
Quem Vem Lá
02:32
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7. |
Forrozinho Moderno
01:45
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8. |
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9. |
Xaxando Com Garibaldi
02:34
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10. |
Não Interessa Não
01:58
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11. |
Os Camarões
02:24
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12. |
Se Quiser Valer
02:14
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13. |
Camarão No Oriente
02:44
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14. |
De Serra Em Serra
02:13
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15. |
A Cigana Ihe Enganou
02:29
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16. |
Fim De Festa
02:03
|
about
“In 1960 we received an invitation to play in Recife, a wonderful, exciting and dangerous place, often described as a “social jungle”.
The Forró party took place on the first floor of Caxangá´s neighbourhood theatre. With its high ceilings, wooden floors and balconies, the place was perfect for these kinds of events. When all the windows were wide open, there would be a wonderful breeze during the hot tropical evenings.
Since everyone was looking for amusement, the place was packed on weekends. People from all corners of society would arrive nicely dressed, animated and chatting loudly over the sound of clinking glasses.
Pernambuco´s Cachaça, considered by many, especially by the locals, to be the best in the country, had started flowing generously and the popular sugar cane based alcohol lives up to its reputation. We always had a few shots to warm up before performing and by the time the place was packed we were already in a very good mood.
Our local cachaça had loosened the bodies and minds of everyone in the room, people started to pair off and twirl around to the sound of forró music, smiling and sliding their feet off the floor - a reflex picked up from dancing in rural villages to avoid kicking up the dust”.
Camarão - Living Patrimony of the state of Pernambuco
November 2012
"Recife durante os anos 60 era um lugar incrível, excitante e perigoso, frequentemente descrito como uma "selva social". As noitadas de Forró eram realizadas em um salão no bairro da Caxangá, no primeiro andar; com o seu teto alto, piso e balcão de madeira, o lugar era perfeito para esses tipos de eventos. Quando as janelas estavam totalmente abertas, surgia uma maravilhosa brisa durante as calorosas noites tropicais.
Já que todos estavam à procura de diversão, o lugar ficava cheio nos finais de semana. Pessoas de todas as camadas da sociedade chegavam bem vestidas, animadas e conversando alto, sob o som do barulho dos copos.
A cachaça pernambucana, considerada por muitos, especialmente pelos locais, como a melhor do país, começou a rolar solta, a popular bebida alcoólica à base de cana de açúcar fazia jus à sua reputação. Nós sempre tomávamos algumas lapadas para aquecer antes de tocar e à medida que o lugar ficava lotado já estávamos bastante animados. Nossa cachaça local já havia relaxado os corpos e mentes de todos na sala, as pessoas começavam a se juntar em pares e girar ao som do Forró, sorrindo e deslizando os pés no chão - um costume retirado das danças nas comunidades rurais do interior para evitar levantar a poeira do chão”.
Camarão – Patrimônio Vivo do Estado de Pernambuco
Novembro 2012
The Forró party took place on the first floor of Caxangá´s neighbourhood theatre. With its high ceilings, wooden floors and balconies, the place was perfect for these kinds of events. When all the windows were wide open, there would be a wonderful breeze during the hot tropical evenings.
Since everyone was looking for amusement, the place was packed on weekends. People from all corners of society would arrive nicely dressed, animated and chatting loudly over the sound of clinking glasses.
Pernambuco´s Cachaça, considered by many, especially by the locals, to be the best in the country, had started flowing generously and the popular sugar cane based alcohol lives up to its reputation. We always had a few shots to warm up before performing and by the time the place was packed we were already in a very good mood.
Our local cachaça had loosened the bodies and minds of everyone in the room, people started to pair off and twirl around to the sound of forró music, smiling and sliding their feet off the floor - a reflex picked up from dancing in rural villages to avoid kicking up the dust”.
Camarão - Living Patrimony of the state of Pernambuco
November 2012
"Recife durante os anos 60 era um lugar incrível, excitante e perigoso, frequentemente descrito como uma "selva social". As noitadas de Forró eram realizadas em um salão no bairro da Caxangá, no primeiro andar; com o seu teto alto, piso e balcão de madeira, o lugar era perfeito para esses tipos de eventos. Quando as janelas estavam totalmente abertas, surgia uma maravilhosa brisa durante as calorosas noites tropicais.
Já que todos estavam à procura de diversão, o lugar ficava cheio nos finais de semana. Pessoas de todas as camadas da sociedade chegavam bem vestidas, animadas e conversando alto, sob o som do barulho dos copos.
A cachaça pernambucana, considerada por muitos, especialmente pelos locais, como a melhor do país, começou a rolar solta, a popular bebida alcoólica à base de cana de açúcar fazia jus à sua reputação. Nós sempre tomávamos algumas lapadas para aquecer antes de tocar e à medida que o lugar ficava lotado já estávamos bastante animados. Nossa cachaça local já havia relaxado os corpos e mentes de todos na sala, as pessoas começavam a se juntar em pares e girar ao som do Forró, sorrindo e deslizando os pés no chão - um costume retirado das danças nas comunidades rurais do interior para evitar levantar a poeira do chão”.
Camarão – Patrimônio Vivo do Estado de Pernambuco
Novembro 2012
credits
released February 20, 2018
Vinyl Record Cutting: Frank Merritt at The Carvery
Mastering: Nick Robbins at Soundmastering Graphic
Design: Kathrin Remest
Front and Back Cover: Frédéric Thiphagne
Interview: Carlo Xavier
Biography: Mariana Gonçalves
Text Editing: Jesse Simon and Adz
Special Thanks to:
Salatieu Magno Siqueira Alves (aka Salatiel D Camarão II), Frédéric Thiphagne, Max Alvim, Carlo Xavier and everyone at the Goethe Institut São Paulo
Picture Booklet Cover – From L to R:
Trio Nordestino do Ritmo: Ivanildo Leite (Zabumba); Camarão (Sanfona) and unknown (Voice and Triangle) 1964 in Caruarú
Vinyl Record Cutting: Frank Merritt at The Carvery
Mastering: Nick Robbins at Soundmastering Graphic
Design: Kathrin Remest
Front and Back Cover: Frédéric Thiphagne
Interview: Carlo Xavier
Biography: Mariana Gonçalves
Text Editing: Jesse Simon and Adz
Special Thanks to:
Salatieu Magno Siqueira Alves (aka Salatiel D Camarão II), Frédéric Thiphagne, Max Alvim, Carlo Xavier and everyone at the Goethe Institut São Paulo
Picture Booklet Cover – From L to R:
Trio Nordestino do Ritmo: Ivanildo Leite (Zabumba); Camarão (Sanfona) and unknown (Voice and Triangle) 1964 in Caruarú
license
all rights reserved
tags
about
Analog Africa Germany
The Future of Music Happened Decades Ago
discography
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Oct 2020
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